Reading Fanatic Reviews
Historical RomanceIf You Give a Smuggler a Secret by Chloe Flowers
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If You Give a Smuggler a Secret*
Well-Written Story, But…
I am of several minds about this book. I actually found the characters engaging. I thought the hero and heroine had good chemistry. The plot kept moving, and there was a lot going on. So, in general, I liked the story as given. But I had other issues with aspects of this book. While I wouldn’t call what happens at the end to be a true cliffhanger, the book does end very abruptly, in the middle of a pivotal scene (it feels like). I chose this book to review on a book review site because I enjoy historical romance, but I am accustomed to romances–even those in a series–that end the couple’s main story. This series is actually a set of episodic novels that tell the full tale of the couple. As a series isn’t typically set up this way, I think the author should let readers know in the book blurb that the book doesn’t stand on its own and that you will need to buy the other books to get the couple’s full story. That way, people can decide if they want to invest in an entire series or not. Not everybody likes episodic tales. Some readers prefer to have the full story all at once. My other issue with this book is that I prefer my Regencies to be written in a somewhat elevated style. I don’t mean in an inaccessible, hoity-toity way, but rather I equate the use of one word or phrase paragraphs and sentence fragments with contemporary romance writing. I think historical romance needs to have full sentences and proper paragraphs, or else it doesn’t feel wholly historical.
EDITED August 2019: I just wanted to give an update because I noticed now that the blurb for this book has been amended to at least hint that the books in this series are episodic in nature. I appreciate the author doing that. I still won’t change my rating, because I think the ending of this book was too abrupt, even knowing that it is episodic in nature.
Vikings by various authors
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Vikings*
Well-Written Prologue But Concerned About the Other Books
I was given an ARC of just the prologue for this series. I found the prologue to be well written and engaging. It pulled me right into the story. Even for just a relatively short piece of writing, the author managed to get in a fair amount of drama and a twist at the end that changed everything. One thing that I hadn’t gotten from the book blurb, and one thing that concerns me about the rest of the books in the series, is that there is a hint towards the end of that at least some of the future books will have some form of “marital discipline.” I am not a fan of those types of books, so I hope that I am reading that wrong. The setup for the series is intriguing, but I would hope not to be disappointed if the series turned out to be about men “disciplining” women. That would be a hard pass for me.
Farewell to Kindness by Jude Knight
Available at Amazon, Barnes & Noble, iBooks, Kobo, Scribd, Smashwords, Mondadori, Angus & Robertson, and Indigo (Chapters)
Farewell to Kindness*
Complicated, Perhaps Too Long, Story
You know a book is going to be complex when it starts with a long and complicated cast of characters. There is definitely much going on in this book, perhaps too much. The book begins with a somewhat surprising confrontation between the heroine and her guardian. I read a lot of historical romance, and I don’t think that the way the heroine acted at this point would be true to the times (unless she was a very unusual lady). I did like both the hero and the heroine. They had elaborate backstories, of which we only learned the full extent as the story went on; this is good, as I don’t like an information dump at the start of a book or in the chapters where a new viewpoint character starts. The author does write some characters in dialect, which I found a little distracting at times. I felt like this book was a bit too long and had too much going on. It could have been condensed for a better read in several ways; for instance, there were multiple scenes which I would consider to be everyday moments, with no conflict, crisis, or climax; if scenes don’t have those elements, they should at least tell us something about the character, or preferably, move the plot along. While the author was good at showing slice-of-life moments, sometimes I thought the descriptions went on for a little too long, which slows down the action of the story. The characters are engaging, though–and I think I have a grasp of the full cast!–so I am interested to see how the series evolves.
Gold by Krystal M. Anderson
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Gold*
Well-Written Western Romance
I am a huge lover of historical romance, but my typical go-to read is more along the lines of Regency or medieval. Lately, I have been trying out a few Western romances, and I am finding that I am enjoying these as well as the other two. There’s usually some crazy melodrama and wild incidents, like things with railroads or mines, that you only see in westerns. This book is an excellent example of why I am testing the waters of western romance. This story was just plain fun, with all of the hijinks that one expects from a western. Plus the hero and the heroine were complex characters who first mixed like oil and water. I so enjoyed their first bantering and interactions while Charlie was recuperating after his treacherous flume ride. Charlie, the hero, is definitely a daredevil—what we’d call an adrenaline junkie today—but he has a big heart and truly cares for people whom he cares for. Virginia, the heroine, is at times a no-nonsense lady. She has to be, as she is working a couple of jobs, including helping the local doctor as a nurse, to pay off her father’s debts. The book has a surprising harrowing incident that actually keeps you on edge to see how it’s going to turn out. All in all, this was a fantastically well-done western romance with engaging characters and a well-paced plot.
The Sunshine Girl by Grace M. Jolliffe
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The Sunshine Girl*
Transported to 1970s Liverpool
What a fantastic read! The author has done an exceptional job of recreating the time and space of Liverpool in the 1970s as well as fashioning a delightful heroine to follow. After reading far too many books that have a big information dump to start, I actually quite enjoyed the slice-of-life first chapter that introduced us to the heroine. She comes across as such a typical teenage girl; having been one myself many moons ago, I could completely relate to her. Her head was a very interesting one to be in. There is definitely a lot of humor, especially of the family variety. The author has shown very clearly what it is like to be a teenager in a complex world, where you feel so adult, but you’re still underneath your parents’ thumbs. There’s a little bit of romance and intrigue thrown in here as well. All in all, a well-written, true-to-life story that pulls you right into its world, making it so that you don’t want to put it down.
Unto Death by Lena West
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Unto Death*
Odd Book
I found this book to be rather odd. There is something off with the tone, but I don’t know if I can describe it accurately. It comes across as if an excited child was telling it, so it has some melodrama as well as a certain level of naivete. I actually found this tone hard to read as it felt distancing. The narrators didn’t come across as adults; they felt childlike. So some of the discussion about the romantic aspects felt more than a little creepy. I understand that the author is Australian, I believe, but certain grammar and punctuation rules supersede the variant of English one writes. Unfortunately, I found this author to be woefully ignorant about the proper use of semicolons and commas, to the point that it was distracting, and some words were repeatedly misspelled.
His Scandalous Lessons by Katrina Kendrick
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His Scandalous Lessons*
Victorian Romance Steeped in Politics and Personal Pain
If you read a lot of historical romance, you find that most of it is relatively light and fluffy fun. This book is not historical romance in that vein. Rather, the heroine has led a very sheltered and controlled life. Both her father and fiance treat her harshly, trying to break her will and form her into what they want her to be rather than accept who she is. She knows that she is about to marry a brutish older duke, and so she approaches one of her father’s enemies and a notorious rake—her father is the prime minister—and asks him to help her find a kind husband; she wants to learn how to properly seduce a man so she can gain his favor before the clock runs out. In return, she will give him information that would hurt her father.
The author has done a lot of research into this time in Victorian England; she also seems to understand the psychological trauma like the heroine has been through and has her act very appropriately. There is much brewing on the political front, and both the hero and the heroine are caught up in it in some way. The heroin with at times hard to read about because how much she suffered both at her father’s hand and her betrothed’s. She was really in a difficult position, and you could understand why she wanted to break free of her very strict constraints rather than suffer more as the cruel man’s duchess. The hero is a rogue with a good heart, and something within the heroine calls to him, and he knows he has to help her. I also quite enjoyed the painter duchess who works with them on their scheme. The hero really comes through for the heroine, in more ways than one. He’s the only one in her life who has treated her kindly and with respect. It actually was quite lovely to watch her blossom under his care. A very well-done Victorian romance, so long as you don’t expect a light and breezy read.
The Secret Mrs. Darcy by Georgina Peel
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The Secret Mrs. Darcy*
Not a Good Variation
I am a big fan of Jane Austen fanfiction, as I have often said in these reviews. I especially enjoy the stories by Brenda J. Webb, J. Dawn King (and her alter-ego Christie Capps), Jan Hahn, Elaine Owen, and several others whose names I cannot recall, but whose stories I have loved. I’m always game for a new story and a new author of Pride and Prejudice fanfiction, and I secretly hope that I’m going to find a great new story or author, but I do have high standards. The ones I seem to like the most are typically something really different than canon, which take our beloved characters and put them in new situations or settings. So I had high hopes for this book, which places Darcy and Elizabeth in the American south of the 1880s. Specifically, Elizabeth traveled from Mississippi to Texas, believing that Jane and Mr. Bingley had set up for her and Mr. Darcy to marry. Not quite a mail-order bride, but more like a pre-arranged betrothal that seemed to have developed while Jane and Mr. Bingley corresponded. Imagine Elizabeth’s surprise when Mr. Darcy has no clue who she is or why she’s there after Bingley drops her off on his doorstep.
As you might be able to guess by the cover, this story’s setting—the American South—seems entirely overshadowed by the setting of the original story. The cover, at least the one that I see, shows a very Regency-looking Darcy in front of a very English manor-style home. This is supposed to be 1880s Texas? Especially a small town with only 12 families around. This disconnect is reflected in the story as well. I don’t get a sense of the south from it at all. The way the characters talk and interact is more Regency than anything remotely southern. Given what I was supposed to understand the setting was, I found the speech and mannerisms of Regency England jarring and out of place. I have read a few variations that place the couple in a different time and place. Some successfully pull this off while others do not. I’m reminded of a book by J. Dawn King in which she places them in pioneer-time Oregon. While the characters remained true to themselves in their essentials, that setting was accurately reflected in the story. In this story, however, it is not. So, the entire book just felt completely off to me. There are also issues with grammar, punctuation, and usage, some quite glaring and distracting. I also felt like parts of the book were drawn out excessively. Like in the beginning, it takes a bit for Darcy to figure everything out. And Darcy isn’t terribly Darcy like despite the way he insulted her, this time to her face, like in canon. Before he realized what’s going on, he actually laughs quite often and seems to be highly amused at times, neither of which is terribly Darcy like. All in all, if you enjoy Jane Austen fanfiction, I would give this book a pass.
Curse and Consequence by Savannah Jezowski
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Curse and Consequence*
An Unusual Mash-up of Regency and Fantasy
And now for something completely different! I am a huge fan of Jane Austen fanfiction, and while this is not a direct spinoff from any Jane Austen novel, there are hints and flavors in this book that call up the writings of Miss Austen. How to describe this book? Part of it tries so hard at humor, succeeding mostly, that it feels like romantic Regency farce meets magical, fantasy world. This mash-up of worlds can be endearing and funny, but at times, the farce gets to be too much and starts to border on mockery. Still, all in all, it was a fascinating and very different read.
To Gamble on an Earl by Diane Dario
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To Gamble on the Earl*
Some Good and Not So Good
I am of several minds about this book. I think the author did an excellent job showing the heroine in a light that seemed more realistic to Regency times than contemporarily written Regency romances tend to be. I thought that her reaction to the traumatic event the ball turned out to be seemed realistic for a sheltered woman, no matter how vivacious she had been before. Even the way that she turned down her friend at first for a social call—how it was handled in that scene—seemed very accurate to Regency to me.
There were other aspects, however, that didn’t seem as true to Regency, including how the hero acted when he found out about the incident. Knowing that the heroine’s reputation was on the line, would he really have talked with his friends about it in such detail? He could ruin her so easily by telling such information to a wider group of people. If one word got out…
Other parts of the story felt scattered. The story jumps forward without much preamble, and that was confusing. Besides what happened at the ball, too, it felt like not much really happened for much of the book. In the first third, we get to see the heroine’s reaction to what happens to her, see her reveal the incident to the hero, and get a little slice of life for the both of them. But nothing really happens in the romance department—which I never like in a romance—and, honestly, nothing much happened at all.
One aspect of the book that I did like was the way the author handled the wounded warriors of Waterloo. Two of the characters are former military, the hero and his friend. Both suffered physical and mental wounds from their experience. The hero has a large scar on his face, and the friend has lost part of a foot. The heroine’s friend suggests the heroine come over for a dinner party because that friend is now awkward in society due to his wound. The hero has come back a changed man, becoming what we might call an adrenaline junkie. This was spurred on by his time in the military, but now he can only feel that excitement he had felt in battle when he gambles. The author also took great pains to show some of the aftereffects of war, namely the widows and orphans home that the heroine and her good friend, the sister of the hero, had chosen as their particular charity. These little moments, with the hero, his friend, and the widows and orphans, show part of the devastation of war. For a romance novel, I thought it was realistic. All in all, I didn’t really like the book as much as I should have because I felt like not much happened, but I did enjoy the window onto what happens after the war for a variety of people.




