Reading Fanatic Reviews
Historical RomanceSnowflakes in Summer by Elizabeth Preston
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Snowflakes in Summer*
Not the Best Example of Highlander Time Travel Romance
In general, I’m a fan of Highland romance and time travel romance, which is what inspired me to choose this book. However, I didn’t find this particular spin on those two subgenres to be particularly appealing. I felt like I could understand Caitlin more before she was whisked away on her adventure to medieval Scotland. Some scenes seemed to be taken right out of Outlander, like Caitlin tending to a man’s wounds. The romance fell flat for me, probably because they fell into a sexual relationship very fast. The alternative viewpoints between Caitlin and Bern revealed him to be relatively simple minded and two dimensional. Just because someone is from medieval times doesn’t mean that they’re incapable of complexity, especially for a laird who is involved in difficult power struggles.
I found the language to be stilted in many places; the book didn’t read naturally for me. At times, it felt like to me that the author was trying to mimic Jamie’s speech patterns from Outlander for Burn. The author made some strange word choices, and for one in particular, I wondered if it was truly a word that a Scot would have said back then. The numerous sex scenes were often written in ways that made me cringe at the words chosen. There are many issues with grammar, punctuation, and usage. Commas seem to be particularly problematic.
With the popularity of Outlander, time travel Highlander romance has become a trendy subgenre of romance. There are some good ones out there, but this did not impress me as one of them.
A Prince of My Own by Stacy Reid
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A Prince of My Own*
Lovely Hero and Heroine; Ghastly Mother
Her mother has told Lady Miranda from nearly the second she popped out of the womb that she was destined to marry a prince or a duke. Her mother has even tried to place her in compromising positions to force a marriage between her daughter and the upper echelons of aristocracy. On a trip to a house party where Miranda will meet her mother’s next quarry, the family gets into an accident. The mother sprains her ankle severely. Dr. Simon Astor is at close at hand, and after examination, he declares that she cannot move for at least a week or two and offers them rooms in his home. Simon is the third son of a duke (unknown to Lady Miranda and her family for a while) who, while he is a physician, has a good allowance and has been able to buy a lovely estate which he has partially turned into a hospital.
Simon is a dedicated physician and an all-around decent man. He enjoys spending time with Miranda, and she soon begins helping him with his patients. This isn’t always easy for her as she is a gently bred young woman, so Simon sees and appreciates her strength and compassion. Considering that the book is relatively short, their progression from friendly acquaintances to love is believable, natural, and quite sweet to read.
Lady Miranda’s mother, on the other hand, is a real piece of work. Before the carriage accident in an early discussion between her and Lady Miranda, the mother comes across as over-the-top and melodramatic in her desire to see her daughter wed to a man of the highest station. In fact, it was so over the top that I almost quit reading because it was just crazy. But I had read good reviews of this book, and I was curious to see the relationship between the principals, so I kept going. Lady Miranda’s mother doesn’t care for her daughter’s happiness whatsoever; marrying the highest title is the only thing that does. Her mother sets in motion something drastic to get her fondest wish realized, and when it happens, it is ghastly and heartbreaking.
The only other fault that I see in this book is that it ended too soon. The ending is one of the most abrupt I’ve seen in a romance. Things are barely resolved when—BOOM!—the book ends. I would have liked to have seen a little more about what happened afterward, both in the main line of the story and in an extended epilogue. The hero and heroine are excellent characters who deserve each other; they also deserve for their story to be more fully told.
Building Forever by Cat Cahill
Building Forever*
Courting Not Allowed in Morals Clause
Emma decides to go west and become a Gilbert girl to support her family; her father has recently passed, and her mother is ill, so she cannot work. Gilbert girls work in the dining rooms of the Gilbert hotels. The Gilbert family employees well-brought-up young ladies for these jobs, and there is a strict moral code for the term of the contract: the girls cannot be courted until their contract is up. While Emma will miss her family, she is looking forward to the adventure. Hartley is a builder who has only worked on smaller projects previously but has managed to talk his way into working on one of the bigger Gilbert hotel complexes in Colorado. He and Emma have an almost instant attraction, even though that first interaction has a measure of embarrassment for Emma.
What an enjoyable book! Emma’s kindness and compassion in her desire to help her family pulled me right in. She is plucky and adventurous as well. The writing is easy to follow, and the characters the author has created—especially all the Gilbert girls themselves—are uniquely individual. By making them so three dimensional and distinct, the author has set up the basis for a good series as we follow the life and experience of each of the girls. I like that this book gave a glimpse into what was probably similar to endeavors that actually happened across the west in those early days.
If you enjoy western romance, you will most likely appreciate this well-crafted, clean story.
Between Heaven and Hell by Jacqui Nelson
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Between Heaven and Hell*
Female Scout on the Oregon Trail
While I adore historical romance, old west romances are not my typical ones to read. I tend to read more Regency and Victorian novels. For whatever reason, this week I have been drawn to reading old west romances. This one is the best I have read so far. The author pulls you in right away with this terrifying image of a young girl fleeing for her life as she watches her home burn and her parents murdered by white men. Alone now in the world, she figures her end is near when Osage warriors surround her. But an Indian woman emerges and takes her into her family. The story then fasts forward to 10 years later as this young woman, fleeing for her life again, seeks a position as a scout on a wagon train headed for the Oregon Trail. She has a hard time convincing the wagonmaster to hire her; he doesn’t believe a woman is fit for the job despite her display of good riding and shooting skills. After it becomes clear that she has been in danger and is perhaps in more danger after the skill competition between her and his previous scout, he agrees that she should come along.
Paden has quite a backstory himself, but I’ll let you discover that for yourself if you decide to read this fantastic novel. The book has a variety of secondary characters. Both the primary characters and secondary characters are well drawn and feel three dimensional. Hannah is it a challenging position as a white woman who was mostly raised by the Osage. At times, she has a hard time fitting in with the others on their journey to Oregon. Paden struggles with his conflicting feelings about this strong and resilient woman.
I loved this author’s ability to weave in words and phrases that are evocative of the old west but don’t feel stilted or out of place both in dialogue and in the narrative portions. That’s not an easy skill for an author of historical fiction to maintain. Her descriptions of the various settings as well are very visual, and I could imagine seeing them.
The author did an excellent job putting me in Hannah’s mind right from the start, feelings her terror as a child and understanding her desperation—even if I didn’t know the full reasons at the beginning–to get that job that she hopes will take her farther away from danger. The skill competition between her and the former scout is surprisingly a page-turner, compelling me to want to keep reading to see how it would turn out. The rest of the book is much the same. As an Oregonian myself, I enjoyed seeing the Oregon Trail as a backdrop for this. It is so hard to imagine what it was honestly like for people who use that harrowing trail to get to the West, but the author does a good job of making me feel like I’m right alongside the characters as they experience the beauty and hazards of it. It was actually a book I had a hard time putting down to do other things, which I wasn’t expecting when I opened it. As I said, I’m not usually a fan of old west romances, but something initially drew me to this story, and I am glad because it is an awesome read.
The Calling Birds by Jacqui Nelson
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The Calling Birds*
Will She Be Able to Stop Running?
Birdie has been on the run for a long time, sister to notorious thieves. People threaten her because they believe she knows where her brothers’ gold is. After closing down a shop that makes use of her dressmaking skills, she decides to become a part of a group of women going to a remote town in Colorado to become mail-order brides. Jack is her intended, and he runs a freight business in town with his grandpa, Gus. Jack lost his leg during the Civil War and has a complicated past with women. As Birdie is still on the run, she isn’t pleased that an infamous lawman is a part of this town, so she considers leaving, not marrying Jack.
Birdie spends much of the book trying to figure out if she’s going to stay or run. I like Gus as a character. He is a good-hearted older man who is starting to have troubles with dementia. Jack is doing his best to keep his business together and his grandfather in line. He has a lot of insecurities about himself as a man and marrying again. Much of the story is about these three people who are more vulnerable than they like or would appear. Will they be able to find strength together that they lack apart?
I felt like this book needed more conflict. The author set up the possibility of conflict with the troubles from Birdie’s past, but that didn’t really come into play until much later in the novel. The pacing felt slow; I felt like I was just waiting for something to happen.
Sex and Sensibility by Anne Harlowe
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Sex and Sensibility*
Bawdy Version of Sense and Sensibility
As a massive fan of Jane Austen fan fiction, when I saw that an author had written a book of verse revolving around a more sensual version of Sense and Sensibility, I was intrigued.
This collection of verses isn’t just the story of Sense and Sensibility. There are stanzas where the author directly addresses the reader about a variety of topics, including what she thought about while writing, what she discussed with others about it, social commentary about Jane Austen or Regency England, etc. To me, it didn’t quite work when she broke that fourth wall to address the reader directly. Also, some of the commentary itself was a little biting, even about the potential reader. Little turns a reader off more from a work than when the author appears to think little of us.
I have been known on occasion to write poetry myself, so I understand the problems and pitfalls of that particular way of writing. Poetry is meant to be heightened language. With so few words, they must be crafted for precise intent. That that did not come across here. The language didn’t feel heightened at all. Save for the parts that rhyme, it felt like a Cliff’s Notes version of a bawdy take on Sense and Sensibility, except–of course–when she was talking about things that weren’t directly the story itself. The rhyming felt forced, and the short lines didn’t give much room for the verse to breathe.
If you want to check out some JAFF that’s a little different, I suggest looking at the first 10% to see if this would be your cup of tea. It wasn’t quite what I expected, so it wasn’t mine.
Shane’s Deal by Ruth Ann Nordin
Available at Amazon, Barnes & Nobe, iBooks, Kobo, Mondadori, and Angus & Robertson
Shane's Deal*
How Far Will a Woman Go to Protect Those She Loves
We meet the heroine, Madeline, when she is awakening after a hard night of sleeping rough. She’s on the run to Canada, trying to stay ahead of outlaws who are desperate to find her and her money. She means only to get a few things in Lewiston, Montana, before moving on when she is shot in the shoulder and must stay put for a while. She confides in the marshal, Shane, about her plight and her pregnancy. Immediately, he offers to marry her to protect both her and the child and to give the child a father.
Is Madeline safe under Shane’s protection? Will she be able to make something of her new marriage? Are there those who would still take her money?
Madeline is an interesting character. It’s clear that she’s been through a lot in her loveless marriage to her first husband. She has a fiery redetermination about her that is almost modern in its sensibility. Shane is a decent man who grew up in difficult circumstances. He never thought he’d have a wife, but he treats her with dignity and respect. I love that he sews! I felt like I wanted to see more character development and evolution of the couple’s relationship. Almost too much of the story seemed to be focused on the mayor.
That said, I found this to be a relatively enjoyable read. If you enjoy old style Western romance with honorable men and despicable ones, you might enjoy this read.
Arriving from Arkansas by Elisa Keyston
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Arriving from Arkansas*
Staking a Claim and Finding Romance in Old West Nevada
Josie and Jim meet when they are making the last leg of their journey to a small town in the Sierra Nevada. Ostensibly, Jim is the new foreman at a mill nearby, and she’s the new cook at a boarding house. But things are not as they seem on the surface. Both Josie and Jim have secrets. Josie’s uncle had been on the verge of finding a motherlode of silver before he died. He left a journal detailing where it could be found. Jim is actually undercover law enforcement, and he’s on the trail of his brother’s murderer.
Will Josie find her uncle’s motherlode? Will someone else have staked a claim already? If not, will the very fact that she is poking around draw interest? Will she be put in danger? Will Jim be successful in finding his brother’s murderer?
I grew up in California and visited Tahoe and Virginia City often, so it was fun to read about this area in a fictionalized, historical way. I also enjoy that this book focused on silver mining instead of gold mining, as these historical Western romances usually do.
I found the characters in this book to be very well drawn. The hero and heroine have secrets to hide, which add layers to their characterization. I didn’t think that Josie came across wholly as a woman of her time. She seemed to be more modern in her thinking than what one would expect, wanting to be so independent and striving hard to seek her own fortune. The romance was a super slow burn but believable. More time was spent with the intrigue than the romance.
My Earl of Depravity by Lisa Brooks
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My Earl of Depravity*
Farce or Real Romance Novel?
Rebecca is a blacksmith’s daughter, and she immediately catches the fancy of passing Sir William Courtenay, Earl of Devon. Her ethereal beauty entrances him. He enters into a correspondence with her and decides that he wants to train her to be a proper lady so she will improve her lot in life.
I had barely started reading this book when I went back to the book review site where I downloaded it to double-check what genre/categories the author considered it to be. I thought it might be humor or farce. But no, the author listed the categories of this to be historical fiction, historical romance, and sweet romance. Since the author wants me to take this book at face value, I have to say it is a rather odd, poorly written book. The language was so over-the-top I actually did think it was farce or satire of the genre. The insta love on the part of the earl was unbelievable. The author doesn’t seem to have a sense of the proper way to do English addresses regarding titles. For instance, William’s valet called him “Your Grace,” which is the way that one addresses a duke, not an earl. Even in the title she has given him, he wouldn’t be called a “sir” (that’s for knights and barons); he would be referred to as a lord if he is an earl. The author doesn’t seem to appreciate the difference between a lady and a Lady. Since there is an actual Duke of Devonshire, it seems odd to have an Earl of Devon; she could have made up any sort of name or the earldom, which most fiction writers do and would have been better. Some of what happens in the “training of a lady” portion is just flat-out wrong as well. The way that the author depicts the accent and dialect of the lower-class blacksmith and his daughter I believe some would find offensive.
I think the author was trying to go for a My Fair Lady/Pygmalion vibe with a romantic twist. It fell far short of the mark.
The Viscount’s Mystery by Joyce Alec
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The Viscount's Mystery*
Mysterious Viscount and Sibling Pact
Even though this book is called The Viscount’s Mystery, we don’t meet the viscount until after 12% of the book. Instead, we meet Charlotte and her brother. She considers herself a bluestocking who would be content to remain a spinster, but her brother wishes her to marry, and in fact, insists she does so before he weds. She is tired of her brother’s interference, so they make a pact. At the next ball, she will accept dances and discussions with a variety gentleman, and if she is good to her word, he will refrain—going forward—from mentioning her unmarried state and desires for her life. If he fails in this regard, she has the right to pick the girl he will court. She very firmly believes that she will win this. She’s out walking with a friend before this ball when they happen upon a man who is being roundly beaten by two other men. At some peril to herself, Charlotte stops the assault and brings the man back to her brother’s place for treatment. The man is mysterious, not wanting to go with her, not wanting help, and not wanting to reveal his name. He does stay there for some days under her care.
What will happen with the brother and sister’s pact? Who is this mysterious injured man? What role will he play in Charlotte’s life?
I enjoyed watching the brother’s and sister’s interactions in this story. Charlotte is very determined, much to her brother’s chagrin. Charlotte and Michael, the unknown injured man, have a feisty push-me, pull-you interaction. For her, there is definitely something intriguing about the man about whom she knows so little. Perhaps his anonymity makes her more candid than she would be in another situation.
This is the third book that I’ve read by this author. While I wasn’t so wild about one of them, I enjoyed the first one that I read and this one. In particular in this book, I enjoyed Charlotte’s character. One thing does seem strange to me. All of this author’s books that I’ve seen clearly stated on the cover that they are Regency, but inside at the start of each book, she just puts 19th century England. The Regency is a very short, very specific time in English history, from 1811 to 1820. If you’re going to be as specific as Regency on the cover, why would you be no more accurate than a hundred years’ span on the inside? I just don’t get it.
That said, I enjoyed Charlotte’s story and her pact with her brother as well as her trying to figure out the viscount’s mysteriousness and his mystery.




